In our previous roundtable, Music to Whose Ears? Music, Emotion, and Mind (April 13, 2013), our participants explored a multitude of ideas connecting music and emotion. In this follow-up roundtable, artists and scientists will explore together the body’s role in musical experience, its perception and cognition.… read more »
Prior to the eighteenth century, and before Edmund Burke’s foundational treatise, the sublime was understood as beauty and greatness beyond measure. Subsequently, awe, the emotion classically associated with the sublime, was given new psychological depth and even physiological dimensions, bringing fear and the grotesque into aesthetic considerations of the sublime.… read more »
The Amygdaloids are a New York band made up of scientists who shed their scientific garb at night and take to the stage with songs about love and life peppered with insights drawn from research about mind and brain and mental disorders.… read more »
A foundational work on emotion and music, Leonard Meyer’s 1956 treatise,Emotion and Meaning in Music, describes competing philosophical positions regarding musical meaning. It might rest exclusively within the context of the work itself; or refer to the extra-musical world of concepts, actions, emotional states, and character; or stem from an intellectual perception of the formalist qualities of the work; or find its foundations in an emotional response to musical relationships.… read more »